![]() Lagerfeld’s collections for the brand displayed his knack for synthesizing old and new, high and low. During the late ’60s and ’70s, he refashioned Chloé to reflect the free spirit of the day and, beginning in 1965, joined forces with the Fendi family, taking it from sleepy furrier to fashion’s haute-est stratum.īecause of his track record for reviving and reimagining brands that had grown stagnant, in 1984 Lagerfeld was handed the reins at Chanel, which had been gathering dust since its founder’s heyday. It was an unprecedented way of working in the days when freelance was still a dirty word. As such, Lagerfeld lent his vision to everyone from Loewe and Max Mara to Krizia and Charles Jourdan, nimbly moving among a diverse range of styles. He went on to become the designer of Jean Patou, eventually realizing that his seemingly endless ideas could fuel a career as a designer-for-hire. ![]() His design for a coat won him the International Wool Secretariat and landed him a job with the celebrated couturier Pierre Balmain. An outsize, instantly recognizable personality - his ponytail powdered like an 18th-century viscount, his eyes perpetually shielded by dark glasses, wearing fistfuls of chunky silver jewels - Lagerfeld was, above all, an avatar of style.īorn in Hamburg (in 1933, ’35, or ’38 by varying accounts), Karl Lagerfeld packed his bags for Paris in 1954. ![]() ![]() Vintage Karl Lagerfeld designs for Chanel handbags, evening dresses, coats, jewelry and other clothing and accessories riffed on its iconography - tweed skirt suits, pearls, camellias - accenting a lexicon of Chanel-isms with tastes of the moment.ĭuring his five-decade career as a designer for Chanel, Fendi, Chloé and many others, Lagerfeld was a quintessential chameleon, ever evolving to embody the times. “My life and my job,” the designer once said, “is to forget myself.” From his first collection at Chanel - after joining the brand in the early 1980s - he injected the venerable house with a frisson of modernity. Williams ended the show in fittingly joyous style, running down the runway to take his bow wearing head-to-toe Damoflage, bringing out the entire Louis Vuitton design team to revel in the moment with him.More than a mere tastemaker, Karl Lagerfeld devoted himself to the continual pursuit of chic. I can tell you that Virgil and me being here has to say to kids who look like us, ‘Oh, I can do anything. When he got this appointment, I was really, really happy for him… It was crazy what the connections were, and the respect he had for us, and which we continue to have for him. As far as I’m concerned, I’m collaborating with his spirit. Now, that is literally what we work with here,” he added in a press release. “Virgil has always been a brother in spirit. In his show notes, Williams had paid tribute to “the giant before me” - the late artistic director Virgil Abloh. Williams composed two new pieces for the runway show including “Joy ( Unspeakable)” sung by the Virginia-based choir which was released five days ago, as well as “Peace Be Still” featuring Chinese pianist Lang Lang. The show closed with the Voices of Fire gospel choir chanting, “Joy! Joy! Joy!” with a performance that not only sparked joy, but earned them a standing ovation. Op-ed: Virgil Abloh dissolved ‘barriers of entry’ with joy and optimism It was also seen on a series of accessories including beanies, bags and baseball caps. A more exaggerated form of the original Damier pattern was also shown on quilted denim jackets, calf-grazing trench coats, leather moto jackets with flared pants and leather jerseys and rugby shirts in brilliant yellow, deep navy and burgundy hues. A pixelated iteration, dubbed “Damoflage,” appeared on floor-sweeping overcoats, matching suits, a collarless tapestry jacket, structured cases and trunks, oversized Speedy bags and backpacks. The checkerboard design, which dates back to 1889, has been reimagined through Williams’ lens. Pont Neuf was transformed into the Vuitton runway, and featured a continuous strip of the iconic Damier motif that would be heavily woven throughout the collection. Guests met near the Musée D’Orsay, “in front of Rihanna” the PR team told us - referring to the brand’s huge billboard starring the pregnant Barbadian singer - and took a boat down the Seine River to the city’s oldest bridge, at the foot of which the LVMH-owned department store Samaritaine is located. Jared Leto and Kim Kardashian were spotted front row.
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